CLOSED PRE-ORDER - Paper Moon (Blu-Ray, #1241)

$25.99
Type: New Blu-Ray

STREET DATE 11/26

THIS IS A PRE-ORDER!

YOUR ORDER WILL BE SHIPPED ON OR AROUND THAT TIME, DEPENDING ON WHEN WE RECEIVE IT.  UPS/FED-EX ETC ARE ALL SUBJECT TO DELAYS AS WELL AS LABEL COMPANIES/DISTRIBUTORS.

NO CANCELLATIONS ON PRE-ORDERS!

YOU WILL NOT BE ABLE TO EDIT YOUR PRE-ORDER!

YOU WILL BE CHARGED AT CHECK-OUT, NOT AT RELEASE DATE

EVERYTHING YOU ORDER WITH THIS ITEM WILL BE SHIPPED WHEN IT COMES IN. IF YOU WANT TO RECEIVE OTHER ITEMS SOONER PLEASE PLACE A SEPARATE ORDER.

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ALL ARTWORK/FEATURES/DATES ARE SUBJECT TO CHANGE

 

Maverick director Peter Bogdanovich affectionately recreates the world of the 1930s Dust Bowl in this beloved, briskly entertaining chronicle of one of cinema’s unlikeliest crime sprees. Real-life father and daughter Ryan and Tatum O’Neal (who became the youngest-ever Oscar winner for her spark-plug performance) play off each other with almost musical agility as a Bible-hawking con man and the precocious, recently orphaned tomboy who falls into his care—and soon rivals her newfound father figure’s skill as a swindler. With period-perfect detail, glowing monochrome imagery by cinematographer László Kovács, and a memorable supporting cast (including the inimitable Madeline Kahn), Paper Moon is a witty, loving portrait of two natural-born hustlers on a road trip through Depression-era America.

BLU-RAY SPECIAL EDITION FEATURES

  • New 4K digital restoration, with uncompressed monaural soundtrack
  • Audio commentary featuring director Peter Bogdanovich
  • Introduction to the film by Bogdanovich
  • New video essay by Bogdanovich biographer Peter Tonguette
  • Three-part making-of documentary featuring Bogdanovich, production designer Polly Platt, associate producer Frank Marshall, and cinematographer László Kovács
  • Archival interview with Platt
  • Excerpts from a 1973 episode of The Tonight Show Starring Johnny Carson featuring Bogdanovich and actors Ryan and Tatum O’Neal
  • Trailer
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by critic Mark Harris

    New cover by Raphael Geroni



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